Bruce Willis

"Feel that sting, big boy? That's PRIDE f%$#ing with you!" Dig Bruce Willis as Butch Coolidge in Pulp Fiction.

"Feel that sting, big boy? That's PRIDE f%$#ing with you!" Dig Bruce Willis as Butch Coolidge in Pulp Fiction.

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As he approaches his 40th birthday, obnoxious image consultant Bruce Willis begins seeing a chubby 8-year-old boy wherever he goes--a boy that turns out to be himself as a child, ready to confront Willis about the mistakes he's made in "their" life and how they can fix them. Heartwarming comedy-drama also stars Lily Tomlin, Emily Mortimer, Chi McBride, and Spenser Breslin in the title role. 104 min. Widescreen; Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital 5.1, French Dolby Digital 5.1; Subtitles: Spanish; audio commentary; featurette; interview; theatrical trailer.

Russ Duritz (Bruce Willis) is an ultracynical, 40-year-old L.A. image consultant who fashions bogus façades for scumbag clients. Oblivious to his own need for a makeover, he's a tyrant in the office (to the chagrin of his sarcastic assistant, played to perfection by Lily Tomlin), and he's emotionally unavailable to the morally centered woman (Emily Mortimer) who senses goodness beneath Russ's hardened veneer. Not a moment too soon, a pudgy kid (Spencer Breslin) mysteriously appears in Russ's life, revealing himself to be Rusty Duritz--that is, Russ's 8-year-old self, arriving by some magic to put the adult Russ's life into beneficial perspective. This variation on A Christmas Carol has Rusty guiding Russ on a tour of his past to reveal how he became a loveless, hard-shelled loser. It takes a bit of smarmy chicken-soup psychology to explain it all, but The Kid is an otherwise charming and involving fantasy, suggesting that perhaps we'd all benefit from a bit of counseling by our younger selves. Written with admirable restraint by Audrey Wells (who brought a similar appeal to The Truth About Cats and Dogs) and directed by Jon Turteltaub (Cool Runnings), the movie doesn't force its supernatural elements or attempt to explain Rusty's existence. It's just a fable for our modern age and a reminder to embrace the better angels of our nature. Delivered with an easy blend of humor and sentiment, that message makes The Kid an unexpected pleasure. (Look closely for Matthew Perry as Willis's shaggy-haired client.) --Jeff Shannon

While The Professional marked the American breakthrough of populist French director Luc Besson (and his long-time composer, Eric Serra), the ambitious, futuristic sci-fi adventure The Fifth Element proved to be Besson's stateside sophomore jinx at the box office. Still, Serra's score shouldn't be overlooked. Easily the composer's most digitally daring studio concoction, The Fifth Element offers up a brave stew of synth beats, orchestral flourishes, and ethnic influences ranging from Middle Eastern modalities to Italian operatic arias. --Jerry McCulley

A slam-bang actioner with Bruce Willis as a down-on-his-luck private detective who teams with former pro quarterback Damon Wayans to find out who killed a beautiful stripper. The trail leads them to a corrupt football team owner and a sports gambling plot. Chelsea Field, Halle Berry co-star. 105 min. Standard and Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround stereo; Subtitles: English, French, Spanish; theatrical trailers.

In giving 1991's The Last Boy Scout a three-star review, critic Roger Ebert was properly performing his duty as an objective reporter, praising the filmmakers' professional skill while observing that "the only consistent theme of the film is its hatred of women." For the purposes of this capsule review, there's no such obligation to level-headed fairness; the simple truth is, this ultraviolent, action-packed vehicle for Bruce Willis and Damon Wayans is disgustingly rotten to the core. Not only is it fueled by a bitter and spiteful attitude toward women, it's also the kind of profanely vulgar movie that doesn't hesitate to put foul-mouthed children in the path of vicious thugs and potentially deadly situations. Willis plays an ex-secret service agent turned private detective who is hired to protect a stripper (Halle Berry) and then teams up with the stripper's boyfriend (Wayans), a disgraced NFL star who was kicked out of football for gambling. They catch on to a criminal plot leading all the way up to a corrupt football team owner who wants to legalize gambling on pro football. Willis and Wayans get in and out of all sorts of trouble along the way, and naturally there are plenty of explosions to go along with the brutal beatings, gunfire, and constant cussing. Shane Black (of Lethal Weapon infamy) set a Hollywood record (since broken, several times) for the sale price of his slick but vile screenplay, and Top Gun director Tony Scott handles the action with his trademark gloss and high-impact style. But, seriously, is this a movie that anyone could bear to watch twice? --Jeff Shannon

Two-disc set includes "The Last Boy Scout" and "Last Man Standing."

The oily allure of underground power is compelling. During the heyday of New York's mob scene, it was more than a mysterious, dynamic draw, it was a ticket out of poverty and stepping stone to notoriety. Based on the novel by E.L. Doctorow, Billy Bathgate is the story of a street-smart boy (Loren Dean) who, after a chance encounter with racketeering kingpin Dutch Schultz (Dustin Hoffman), sets out to apprentice himself to the Mafia and ride the roller-coaster life of a gangster. Central to the story development is the idea of fate and circumstance. Except for Billy, who is merely a criminal voyeur, all the characters play out the hand they were dealt, good or bad, live or die. Moving from misunderstood businessman, struggling to legitimize his line of work, to a steely, vengeful egomaniac, Dustin Hoffman gives a powerful performance. The role of Schultz is so strong, however, that Hoffman overpowers the cast, leaving some characters underdeveloped. Despite being the movie's namesake, Billy always seems a bit vacuous and leaves the audience wondering if he appreciates and values his luck. Bo Widerberg, played by Bruce Willis, is a slick gangster with a weasely demeanor and Drew Preston (Nicole Kidman), the girl to be fought over. Although Kidman's performance isn't her most memorable, she does a good job in balancing and evolving her character amid all the gunslinging and testosterone of the mob. If you're a Hoffman fan, and like gangster flicks, this movie's for you. --Jeff Leinaweaver

7.3" inch tall 4.3"inch wide This decal only comes in White Printed on high quality vinyl that has an outdoor life expectancy of 5-8 years. The decal will be the white, the background will be whatever you are putting the decal on, this is a single color white decal. Can be applied on outside of any smooth, flat, clean and dry surface. Great on laptops, glass, car windows, use your imagination. Instructions for application will also be provided. International Shipping: To keep shipping costs down I ship USPS First Class mail, which delivery time varies, but I have seen that it usually takes 3-14 days.

Studio: Sony Pictures Home Ent Release Date: 07/17/2007 Run time: 123 minutes Rating: Pg13

Ancient curses, all-powerful monsters, shape-changing assassins, scantily-clad stewardesses, laser battles, huge explosions, a perfect woman, a malcontent hero--what more can you ask of a big-budget science fiction movie? Luc Besson's high-octane film incorporates presidents, rock stars, and cab drivers into its peculiar plot, traversing worlds and encountering some pretty wild aliens. Bruce Willis stars as a down-and-out cabbie who must win the love of Leeloo (Milla Jovovich) to save Earth from destruction by Jean-Baptiste Emmanuel Zorg (Gary Oldman) and a dark, unearthly force that makes Darth Vader look like an Ewok. --Geoff Riley

Ancient curses, all-powerful monsters, shape-changing assassins, scantily-clad stewardesses, laser battles, huge explosions, a perfect woman, a malcontent hero--what more can you ask of a big-budget science fiction movie? Luc Besson's high-octane film incorporates presidents, rock stars, and cab drivers into its peculiar plot, traversing worlds and encountering some pretty wild aliens. Bruce Willis stars as a down-and-out cabbie who must win the love of Leeloo (Milla Jovovich) to save Earth from destruction by Jean-Baptiste Emmanuel Zorg (Gary Oldman) and a dark, unearthly force that makes Darth Vader look like an Ewok. --Geoff Riley

Co-writer/director/star Sylvester Stallone leads the charge in this blockbuster that boasts an ensemble cast of action stars, including Jason Statham, Jet Li, Dolph Lundgren, and Steve Austin. Sly heads a team of mercenaries on a suicide mission in South America to dethrone a dictator. However, when they're betrayed by their benefactor, all their skills will be needed to survive. Bruce Willis and Arnold Schwarzenegger make cameo appearances. 103 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital 5.1 EX; Subtitles: English, Spanish; audio commentary by Stallone; "making of" featurette; deleted scene; gag reel.

They might be expendable, but they sure are durable: The Expendables is crammed with well-traveled action heroes, called to a summit meeting here to capture some of that good old ultraviolent '80s-movie feel. Star-director Sylvester Stallone rides herd as the leader of this mercenary band, which includes Jason Statham, Jet Li, and Stallone's old Rocky V nemesis Dolph Lundgren. Mickey Rourke, looking like a car wreck on Highway 61, plays the tattoo artist who communicates the gang's assignments to Stallone; throw in Terry Crews and Ultimate Fighting champ Randy Couture, and you've got a badass crew indeed. The specifics here involve a Latin American island where US interests have mucked up the local politics beyond repair--but when Sly's eye is caught by the feisty daughter (Giselle Itie) of the local military jefe, a simple job gets complicated. Adding to the B-movie flavor of the enterprise, we've got Eric Roberts and Steve Austin bouncing around as badder-than-the-bad guys, plus Bruce Willis popping in for a one-scene bit, and… well, perhaps another unbilled cameo. The violence doesn't reach the frantic pace of Stallone's last Rambo picture, but it builds to a pretty crazy crescendo in the final reels, during which each cast member gets to show his stuff. Although Stallone's face looks younger than it did in the first Rocky movie, his line delivery is more sluggish than ever, and what lines! The dialogue is stuck in the '80s, too. Although it's pretty ham-handed throughout, The Expendables is likely critic-proof: the audience that wants to see this kind of body-slamming throwdown isn't going to care about the niceties. Let the knife throwing begin. --Robert Horton

When former CIA black-ops agent Bruce Willis is attacked by high-tech hit men, he must reunite with old colleagues Morgan Freeman, John Malkovich, and Helen Mirren to find out who has labeled them RED (Retired and Extremely Dangerous) and wants them dead. Based on the graphic novel, this rousing mix of action, intrigue, and comedy also stars Mary-Louise Parker, Karl Urban, Rebecca Pidgeon, and Ernest Borgnine. 111 min. Widescreen; Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), Spanish; audio commentary; deleted scenes; extended scenes; featurettes.

You can take the agent out of the CIA, but you can't take the CIA out of the agent--or so discovers Frank Moses, to his chagrin. Frank, played by Bruce Willis, simply wants to live his simple life with his government pension. But when a troop of black-ops guys descends on his house one night and blows it to smithereens, Frank realizes he needs to get a few of his old colleagues together and find out what's what. That's the premise of Red, a jolly action flick based on a rather more serious graphic novel. Because Frank's old posse includes kicky roles for Morgan Freeman, John Malkovich, and a tea-pouring, hot-lead-spraying Helen Mirren, the movie boasts a certain appeal just at the "Holy cow, can you believe who's in this thing?" level. Actually, the rest of the cast is pretty sweet as well: Mary-Louise Parker steals much of the film as Frank's unsuspecting civilian date (swept into the action because she might innocently become a CIA target, too), Brian Cox hams it up as Frank's former Soviet adversary (wistfully recalling how he always wanted to assassinate a US president), and Karl Urban (Star Trek) supplies brawn and brains as the current CIA agent in charge of bringing the hammer down on Frank. The breezy tone barely pauses to notice the semi-serious story point at the heart of the plot (a hazily recalled disaster in Guatemala many years earlier), nor the dead bodies that pile up around the edges of the action. Flightplan director Robert Schwentke lets his actors act up, which is not a capital crime given the skills of the cast list, and he shoves the plot along with fitting speed. It's not art, but as a multiplex diversion, Red scatters a decent share of legitimate jolts and rim-shot one-liners. --Robert Horton

Limited Edition Pulp Fiction Digital Print Hard Back Made Of Wood Size: 12 inches X 10 inches

Released by the same company responsible for Belvedere Vodka, Sobieski ignores all of these vodka trends. Sobieski is, plain and simple, an inexpensive vodka that actually tastes good. Try it once, and you'll have a new favorite. Unlike many brands, Sobieski doesn't really have a gimmick. It's not made from any unusual base ingredient; it's distilled from rye. It doesn't claim any particular number of distillations; it goes through a continuous still until it's ready. It doesn't use any luxurious, proprietary filtration process. And the bottle, as far as we know, wasn't created by a famous architect, jewelry designer, or artist.