Brothers Girls

The popular pattern that has graced dinnerware sets for decades now brightens the beautiful fan shape of this piece.

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Before "Dreamgirls," this musical drama recalled the rise of a Supremes-like girl group from the Harlem ghetto to superstardom. While the group Sister and The Sisters pursues fame and fortune, their relationships fracture when Sister (Lonette McKee) turns to drugs and Sparkle (Irene Cara) cultivates a relationship with their manager (Philip Michael Thomas). Dwan Smith, Dorian Harewood also star; features a score by Curtis Mayfield. 98 min. Widescreen; Soundtrack: English Dolby Digital mono.

Before Dreamgirls hit cineplexes in 2006, there was Sparkle. Released in 1976, the low-budget movie (which is also loosely based on the story of Diana Ross and the Supremes) achieved somewhat of a cult following among fans that enjoy a good cry along with their kitsch. Sparkle tells the rags-to-riches (and rags again, for some of the characters) tale of three sisters with gorgeous voices. There's Sister (Lonette McKee), Sparkle (Irene Cara, Fame), and Delores (Dwan Smith), who team up with a couple of players (including a very young Philip Michael Thomas, pre-Miami Vice) to form a singing group. Because the men add little oomph to the outfit, the quintet becomes an all-girl trio and is renamed the redundant (and hysterical) Sister and the Sisters. But because this movie is called Sparkle and not Sister, we know that Irene Cara's character is the one to watch. Cara is a joy to listen to when she unleashes her powerful pipes. And as the much put-upon Sister, McKee is convincing and earns the viewer's sympathy. Set in the 1950's, the movie tackles racism, sexism, jealousy, and both chemical and physical abuse. While it is overly dramatic and liberally serves up sloppy doses of soap opera clichés, the film also is highly watchable because of its over-the-top campiness. --Jae-Ha Kim

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Molly Ringwald established herself as the teen queen of the '80s in this fresh comedy. The movie is a day in the life of Samantha, whose 16th birthday is turning out to be anything but sweet. All the traumas of teendom come down on one long day, which sees Samantha surrounded by dithery relatives, mooning over a high school hunk, and pursued by a sawed-off Lothario. Sixteen Candles marked the directing debut of John Hughes, and its goofy energy displayed a promising talent with a great ear for high school lingo ... a promise neglected since Hughes became, after Home Alone, a one-man entertainment industry. There are some pretty crass moments (Why the stereotype of the foreign-exchange student from Asia?), but Ringwald's steady appeal smoothes over the rough spots. As the pubescent, self-styled lady-killer, Anthony Michael Hall turns in a hilarious portrait of a young swinger; he and Ringwald would reteam with Hughes for The Breakfast Club, another key teen picture of the decade. --Robert Horton

It's Samantha Baker's sweet sixteen birthday and no one in her family remembers the occasion. She's a typical teen, enduring creepy freshman, spoiled siblings, confused parents and the Big Blonde on campus who stands between her and the boy of her dreams.Item Type: DVD MovieItem Rating: RStreet Date: 09/02/03Wide Screen: yesDirector Cut: noSpecial Edition: noLanguage: ENGLISHForeign Film: noSubtitles: noDubbed: noFull Frame: noRe-Release: noPackaging: Sleeve

Two-disc set includes "The Last Boy Scout" and "Last Man Standing."

As premises for preteen flicks go, the identity swap went flat way back when, post-Freaky Friday. Throw in a threesome of pinup-worthy actors, a sport that lends itself to rock-song spiked footage, and a sprinkling of old-fashioned rebelliousness, though, and suddenly the bubbles are back. Motocrossed kicks up a gender-bending mess as cheerleader Andrea (Alana Austin) lops off her golden locks to enter a motocross race as her brother, Andrew, who's injured and can't compete. Mom's complicit, but if Dad, who clearly hasn't screened Yentl in a while, finds out, it's yike-a-roo. Complicating matters and upping race-day tummy rumbling is the crush Andi develops on one of her hoodwinked competitors. In the end--guess what--girls rule, but this movie made for Disney TV manages to ride into the sunset without its predictability flattening what's essentially 90 minutes of frothy, wide-eyed fun. --Tammy La Gorce

The wild world of motocross racing takes an unexpected turn in this action-packed Disney Channel Original Movie. Fifteen-year-old Andrew Carson is gearing up for the championship race that could win him a corporate sponsorship. Certain he'll pull out a victory, his dad sinks the family finances into the race. Meanwhile, twin sister Andrea (Alana Austin, NO PLACE LIKE HOME), also a skilled rider, helps him train on the track, even though their dad would rather see her stick to cheerleading. When Andrew breaks his leg squaring off against Andrea, she blames herself and vows to set things right. That means disguising herself as a guy and entering the race ... as Andrew! But the course hides obstacles she isn't expecting -- like falling for a fellow competitor and learning her dad has discovered the truth! Also starring Scott Terra (TV's 7TH HEAVEN) and Mary-Margaret Humes (TV's DAWSON'S CREEK), MOTOCROSSED drives you all the way to an edge-of-your-seat finish.

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It doesn't take long to see that Temple Grandin, the main character in this eponymous HBO movie, is, well, different--she (in the person of Claire Danes, who plays her) tells us before the credits start that she's "not like other people." But "different" is not "less." Indeed, Grandin, who is now in her 60s, has accomplished a good deal more than a great many "normal" folks, let alone others afflicted with the autism that Grandin overcame on her way to earning a doctorate and becoming a bestselling author and a pioneer in the humane treatment of livestock. It wasn't easy. The doctor who diagnosed her at age 4 said she'd never talk and would have to be institutionalized. Only through the dogged efforts of her mother (Julia Ormond), who was told that "lack of bonding" with her child might have caused the autism, did Grandin learn to speak; to go to high school, college, and grad school; and to become a highly productive scientist, enduring the cruel taunts of her classmates and the resistance of many of the adults in her life (most of whom are shown as either narrow-minded prigs or macho, chauvinist jerks). Her lack of social skills and sometimes violent reactions to the overstimulation in her environment made it tough to fit in, to say the least. Danes, who is in nearly every scene of director Mick Jackson's film, is remarkable, embodying Grandin's various idiosyncrasies (such as talking, too loud, too fast, and too much) without resorting to caricature. Jackson does a marvelous job of depicting not only her actual accomplishments (among other things, she took the "squeeze machine" created to "gentle" upset cattle and adapted it for herself, using it to replace the hugs she never got as a child; later on, she revolutionized the systems used to prepare cows for slaughter, as well as the design of the slaughterhouses themselves), but also her more abstract talents, especially the extraordinary visual acuity that enables her to remember virtually everything she's ever seen. This is mostly Danes's film, but the whole cast is top-notch, especially Ormond, Catherine O'Hara as Temple's aunt, and David Strathairn as one of the few teachers who saw Grandin's potential. Captivating, compelling, and thoroughly entertaining, Temple Grandin is highly recommended. --Sam Graham

Claire Danes gives a powerful, Emmy-winning performance in the role of Temple Grandin, the young, high-functioning autistic woman who faces misunderstanding and prejudice throughout her youth. Even as she obtains a master's degree in animal science from Arizona State University in 1975, Grandin encounters resistance to her pioneering ideas about treating animals led to slaughter in a more humane fashion. David Strathairn, Julia Ormond, and Catherina O'Hara co-star. 109 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital stereo; Subtitles: English, French, Spanish; "making of" documentary; audio commentary.

A 14-year-old girl needs a man with "true grit" to help her bring in the fugitive who killed her father. That she settles on Rooster Cogburn--a one-eyed, booze-soaked, potbellied U.S. marshal on the downward curve of his career in law enforcement--is the glorious springboard for all versions of True Grit: the Charles Portis novel, the 1969 western that won an Oscar for John Wayne, and the 2010 Coen brothers adaptation. The Coens have some mighty shoes to fill in their version, and their choice for the eye-patch is Jeff Bridges, who growls his way through an understated take on Rooster. Matt Damon plays LaBoeuf, the Texas Ranger who joins the hunt; Josh Brolin is the scurvy killer; and Barry Pepper is the leader of the outlaw gang. Working as usual with cinematographer Roger Deakins, the Coens exhibit their clear, crisp view of western places, thrillingly creating new takes on recognizable vistas such as the frontier town, the snowy forest, and the isolated cabin at night. The Coens revel in the incredibly ornate dialogue, which allows their sardonic attitude to bleed into the material--young actress Hailee Steinfeld doesn't seem at all fazed by the language, which may be a key reason she got the job as heroine Mattie Ross. While True Grit doesn't have the heft of the best films in the Coens' arsenal (there's something very formal and even a wee bit academic about their stroll through this familiar text), they do create a pleasant sense of a good yarn, retold around the campfire for the umpteenth time. --Robert Horton

Joel and Ethan Coen's filming of the Charles Portis frontier novel follows no-nonsense 14-year-old Mattie Ross (Hailee Steinfeld) as she seeks the outlaw who gunned down her father. Joining Mattie on her perilous quest--for duty, or for the reward money, or both--are hard-drinking, one-eyed marshal Rooster Cogburn (Jeff Bridges) and a Texas Ranger named LaBoeuf (Matt Damon). Josh Brolin, Barry Pepper also star. 110 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, DVS, French Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English, French, Spanish; featurettes.

Chick-lit lovers, and those who love them, will flock to Something Borrowed, a frothy adaptation of Emily Giffin's bestselling novel. Something Borrowed itself borrows some of the best bits from earlier romantic comedies like When Harry Met Sally…, 27 Dresses, and Sex and the City. Though Kate Hudson is the ostensible Big Star here, it's Ginnifer Goodwin (Big Love, He's Just Not That into You) who finally comes into her own as a winsome leading lady. The plot is fairly simple: Rachel (Goodwin) harbors secret feelings for Dex (Colin Egglesfield), the fiancé of her best friend, Darcy (Hudson). Along for the ride, and acting as a sort of stage manager/narrator à la Our Town, is Ethan (John Krasinski), who just may be harboring some secret longings of his own. Will the right boys end up with the right girls? Well, Something Borrowed is one of those comfy films in which the viewer knows who's right for whom long before the characters do. And because of the light, easy direction of Luke Greenfield (whose previous works are mostly TV movies and series), and the sparky chemistry among the stars, Something Borrowed ends up delivering a delicious snack even more satisfying than the sum of its yummy parts. Krasinski, Egglesfield, and especially Goodwin shine in this ensemble, and fans of modern love stories--with a twist--will want to hold on to Something Borrowed. --A.T. Hurley

Bittersweet romantic comedy, based on the best-seller by Emily Giffin, tackles the complexities of love, friendship, loyalty, and fidelity. Successful Manhattan lawyer Rachel (Ginnifer Goodwin) finds her life turned upside down when she begins an affair with Dex (Colin Egglesfield), the man she's had a crush on for years, and must keep it a secret from Darcy (Kate Hudson), her best friend who also happens to be Dex's fiancee. John Krasinski also stars. 112 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital 5.1, French Dolby Digital 5.1; Subtitles: English (SDH), Spanish, French; deleted scenes.