Bonnie Scotland

3 x 5 ft Polyester flag with 2 brass grommets. These polyester flags not recommended for prolonged outdoor use. For outdoor use, we recommend our nylon flags.

Bonnie Scotland reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style B mini poster print Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters.. Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon at www.amazon.com/moviegoods

Japanese only SHM pressing. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC and Universal Music Japan discovered through the joint companies' research into LCD display manufacturing SHM-CDs feature improved transparency on the data side of the disc allowing for more accurate reading of CD data by the CD player laser head. SHM-CD format CDs are fully compatible with standard CD players.

The Parents of Bekka Bramlett with all their Gang. Back in Stock for a Short Time, So Get it While You Can.

No Description AvailableNo Track Information AvailableMedia Type: CDArtist: PRINE,JOHNTitle: JOHN PRINEStreet Release Date: 02/06/1990

Prine's 1971 self-titled debut set the tone for the rest of his career. A critical smash and a commercial disappointment, the record contains many of his best known compositions. Proving himself capable of tackling folk balladry, country, and rock with ease, Prine seems to spring into being as a fully formed singer-songwriter at age 24. Lyrically diverse, Prine offers topical songs such as "Sam Stone," the tale of a drug addicted Vietnam vet, achingly sad songs, such as the oft-covered "Angel from Montgomery," and, of course, his trademark wit gets ample time in the spotlight. Produced by the legendary Arif Mardin (Aretha Franklin, the Modern Jazz Quartet, Hall and Oates), the record is understated, letting Prine's comfy voice drive things. When needed, the famous house band at American Recording Studios in Memphis kicks in tasteful backing. --Ian Landau

IMPORT-EU

Unlike many silent screen comedians, Laurel & Hardy made a seamless transition to talkies, and this TCM Archives double-feature showcases some of their funniest work from the early 1930s. As always, TCM/Warner has packaged this must-have set for true film buffs: The prints are pristine, image quality is crisp and clean, sound quality is the best available (allowing for some hiss and minor drop-offs due to the age of the soundtracks), and bonus features have been chosen with care and authority, including several highlight excerpts from Laurel & Hardy short subjects. While continuing to enjoy their priceless partnership with producer Hal Roach, Stan & Ollie were at their sound-era peak in The Devil's Brother (1933), a hilarious adaptation of the Auber operetta Fra Diavolo (also the film's alternate European title), in which "Stanlio" and "Ollio" find themselves entangled in the exploits of the Marquis de San Marco, a notorious singing bandit named "Fra Diavolo" (played with adequate panache by Dennis King) who's set his sights on the lovely Lady Pamela (played by '30s screen queen Thelma Todd). Plots in Laurel & Hardy films are almost always perfunctory, but this is one of the better ones, lending Stan & Ollie ample opportunity to cut loose with Roach-invented gags and trademark slapstick. The highlight has to be Stan's drunken laughing fit, a miraculously sustained bit of hilarity (with Ollie eventually joining in) that's absolutely infectious and irresistible--it's impossible to watch without laughing right along with Stan. Bonnie Scotland (1935) finds L&H in Gunga Din territory (or if you prefer, The Lives of a Bengal Lancer) as they arrive in Scotland hoping to collect "MacLaurel's" inheritance, only to end up recruited into a Scottish infantry regiment in the Indian desert. The comedy is mildly compromised by a standard-issue romance plot involving costars June Lang and William Janney, but whenever Stan and Ollie are onscreen, the laughs are consistently plentiful and timelessly entertaining. Adding expert context to the comedy, audio commentaries by film historians and lifelong L&H fans Leonard Maltin and Richard W. Bann are packed with knowledgeable information out each film, the careers of the cast members, working methods at Hal Roach studios, shooting locations, and fascinating anecdotal details (such as the fact that long-time L&H supporting player James Finlayson was the direct inspiration for Homer Simpson's beloved exclamation, "D'Oh!" on TV's long-running animated sitcom The Simpsons. The package is rounded out by "Added Attractions: The Hollywood Shorts Story," an excellent TCM feature-length documentary, narrated by Chevy Chase, that extensively chronicles the many varieties of short subjects produced during the 1930's and '40s--essentially an extension of Vaudeville and newsreels that gave rise to many of Hollywood's finest performers during the golden age of the studio system. All in all, this is a perfect DVD set for longtime Laurel & Hardy fans, or newcomers to their classic brand of comedy. --Jeff Shannon

Take the high road to laughter with this Laurel and Hardy feature, as the duo travels to Scotland to pick up Stan's inheritance, only to wind up joining the army and battling Arab forces in India. With James Finlayson, June Lang. 80 min.

A collection of two comedy films starring Laurel and Hardy.

Unlike many silent screen comedians, Laurel & Hardy made a seamless transition to talkies, and this TCM Archives double-feature showcases some of their funniest work from the early 1930s. As always, TCM/Warner has packaged this must-have set for true film buffs: The prints are pristine, image quality is crisp and clean, sound quality is the best available (allowing for some hiss and minor drop-offs due to the age of the soundtracks), and bonus features have been chosen with care and authority, including several highlight excerpts from Laurel & Hardy short subjects. While continuing to enjoy their priceless partnership with producer Hal Roach, Stan & Ollie were at their sound-era peak in The Devil's Brother (1933), a hilarious adaptation of the Auber operetta Fra Diavolo (also the film's alternate European title), in which "Stanlio" and "Ollio" find themselves entangled in the exploits of the Marquis de San Marco, a notorious singing bandit named "Fra Diavolo" (played with adequate panache by Dennis King) who's set his sights on the lovely Lady Pamela (played by '30s screen queen Thelma Todd). Plots in Laurel & Hardy films are almost always perfunctory, but this is one of the better ones, lending Stan & Ollie ample opportunity to cut loose with Roach-invented gags and trademark slapstick. The highlight has to be Stan's drunken laughing fit, a miraculously sustained bit of hilarity (with Ollie eventually joining in) that's absolutely infectious and irresistible--it's impossible to watch without laughing right along with Stan. Bonnie Scotland (1935) finds L&H in Gunga Din territory (or if you prefer, The Lives of a Bengal Lancer) as they arrive in Scotland hoping to collect "MacLaurel's" inheritance, only to end up recruited into a Scottish infantry regiment in the Indian desert. The comedy is mildly compromised by a standard-issue romance plot involving costars June Lang and William Janney, but whenever Stan and Ollie are onscreen, the laughs are consistently plentiful and timelessly entertaining. Adding expert context to the comedy, audio commentaries by film historians and lifelong L&H fans Leonard Maltin and Richard W. Bann are packed with knowledgeable information out each film, the careers of the cast members, working methods at Hal Roach studios, shooting locations, and fascinating anecdotal details (such as the fact that long-time L&H supporting player James Finlayson was the direct inspiration for Homer Simpson's beloved exclamation, "D'Oh!" on TV's long-running animated sitcom The Simpsons. The package is rounded out by "Added Attractions: The Hollywood Shorts Story," an excellent TCM feature-length documentary, narrated by Chevy Chase, that extensively chronicles the many varieties of short subjects produced during the 1930's and '40s--essentially an extension of Vaudeville and newsreels that gave rise to many of Hollywood's finest performers during the golden age of the studio system. All in all, this is a perfect DVD set for longtime Laurel & Hardy fans, or newcomers to their classic brand of comedy. --Jeff Shannon

When Steven Spielberg was an adolescent, his first home movie was a backyard war film. When he toured Europe with Duel in his 20s, he saw old men crumble in front of headstones at Omaha Beach. That image became the opening scene of Saving Private Ryan, his film of a mission following the D-day invasion that many have called the most realistic--and maybe the best--war film ever. With 1998 production standards, Spielberg has been able to create a stunning, unparalleled view of war as hell. We are at Omaha Beach as troops are slaughtered by Germans yet overcome the almost insurmountable odds. A stalwart Tom Hanks plays Captain Miller, a soldier's soldier, who takes a small band of troops behind enemy lines to retrieve a private whose three brothers have recently been killed in action. It's a public relations move for the Army, but it has historical precedent dating back to the Civil War. Some critics of the film have labeled the central characters stereotypes. If that is so, this movie gives stereotypes a good name: Tom Sizemore as the deft sergeant, Edward Burns as the hotheaded Private Reiben, Barry Pepper as the religious sniper, Adam Goldberg as the lone Jew, Vin Diesel as the oversize Private Caparzo, Giovanni Ribisi as the soulful medic, and Jeremy Davies, who as a meek corporal gives the film its most memorable performance. The movie is as heavy and realistic as Spielberg's Oscar-winning Schindler's List, but it's more kinetic. Spielberg and his ace technicians (the film won five Oscars: editing (Michael Kahn), cinematography (Janusz Kaminski), sound, sound effects, and directing) deliver battle sequences that wash over the eyes and hit the gut. The violence is extreme but never gratuitous. The final battle, a dizzying display of gusto, empathy, and chaos, leads to a profound repose. Saving Private Ryan touches us deeper than Schindler because it succinctly links the past with how we should feel today. It's the film Spielberg was destined to make. --Doug Thomas

United Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), Danish ( Subtitles ), Dutch ( Subtitles ), English ( Subtitles ), Finnish ( Subtitles ), Norwegian ( Subtitles ), Swedish ( Subtitles ), WIDESCREEN, SPECIAL FEATURES: Scene Access, SYNOPSIS: Bette Midler, Sarah Jessica Parker, and Kathy Najimy romp around like coked-up versions of The Three Stooges in the frantic Disney romp Hocus Pocus. The film begins in 1693 where three witches -- Winifred (Bette Midler), Sarah (Sarah Jessica Parker), and Mary (Kathy Najimy) -- are preparing a potion that will grant them immortality and eternal youth. But before they finish mixing their cocktail, the people of Salem capture them and execute them for practicing witchcraft. Before their deaths, they vow to return to Salem 300 years hence on Halloween to exact their revenge. Three hundred years later, a skeptical, newly transplanted Californian, Max (Omri Katz), explores the ruins of the legendary witches' house and dares the witches to manifest themselves. Disregarding the warnings of his sister Dani (Thora Birch) and girlfriend Allison (Vinessa Shaw), Max lights the Candle of Black Flame. With that, the witches reappear to wreak havoc on the town. The kids take off with the witches' spellbook and a musty tome of hexes and recipes. The sorceresses, who will die by the morning light if they don't recite the incantation for immortality, have to get the books by whatever means they can. So, Winifred, Sarah, and Mary hop on their broomsticks for a chase through Halloween night.

This big, fat theatrical bomb has a lot going for it. There's the three leads, Bette Midler, Kathy Najimy, and Sarah Jessica Parker, playing three resurrected witches who wreak havoc on Salem, Massachusetts, 300 hundred years after they were hung. There's music, special effects, and magic. There's a surprisingly horror-filled plot. Whoops, hold up on that last one. It's probably the extremes that this film goes to (displaying a Disney label), such as the witches sucking the life out of a little girl in the first five minutes, that put the brakes on any success for Hocus Pocus. Older children, however, in the 8 and up range should get a kick out of all the weird goings-on. It's a good measure of Halloween thrills and chills. --Keith Simanton

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

There's less horseplay in the 35th thriller by former jockey Francis, but as much suspense and pain as ever. Alexander Kinloch is a painter who lives in rural Scotland, and somebody thinks he knows where the jewel-encrusted, solid gold-handled sword of Bonnie Prince Charlie is hiding. It wouldn't be a Francis book without lots of beatings and torture, but you'll also find out how to run a brewery, paint a landscape and yes, hide a racehorse, in this thoroughly enjoyable outing from the Cigar of fiction.

From the acclaimed master of mystery and suspense comes the story of a self-imposed outcast who must refresh his detection skills in order to save himself and his family.

"The Flowers o' the Forest are a' wede awa'." Death in the Highlands. It came by claymore and cannon fire in 1745, when Bonnie Prince Charlie's men died at Culloden, and the last Stuart fled back to France, leaving his followers to death by noose and firing squad, and his gold hidden in the heather for others to find. After a thousand years of bloody history, death in the Highlands is nothing new. But it should not be happening now.Jean Fairbairn has a coin from Prince Charlie's hoard, and a story, she thinks. Until the story comes to murder, up close and personal, and Jean isn't just a reporter, she's a prime suspect. Nose to nose with Chief Inspector Alasdair Cameron, whose forebears led Charlie's rising, and Rick MacLyon, who thinks being a dot.com millionaire makes him an expert on Charlie's life, Jean finds herself entangled in a story that's getting grimmer than the Dark Mile by Loch Arkaig and twistier than Stuart politics. And it's all too likely to end with Jean trapped by a murderer, on her way to becoming the MacLyon mansion's newest ghost.Mystery, history and sexual tension blend with a taste of the wild beauty of the Highlands: an enjoyable tale. Kirkus ReviewsIn pursuit of information about Bonnie Prince Charlie's legendary lost gold, reporter Jean Fairbairn discovers a new corpse instead. Before all is said and done, she tangles with a nouveau-riche Stuart aficionado and Inspector Cameron. An entertaining blend of policing and sleuthing. Library Journal Carl's skillful story telling, Scotland's history, and the discussion of how conspiracy theories and genealogies effect the past and the present make The Secret Portrait a mystery worth reading. Her story and her characters had me reading every spare moment I had. MacLyon's conspiracy theory moments had me laughing out loud. She had me guessing until the end. Christine McCreedy, Christine's Book-listAn excellent book with a bit of woo-woo and a lot of painlessly delivered culture and history. Throw in a gold coin from the Bonnie Prince Charlie’s missing horde and a couple of men who look fine in kilts, a dash of bagpipes, and descriptions of Edinburgh so vivid you can almost taste the haggis and you have a most enjoyable read.Shirley Wetzel, Over My Dead Body.comThe Secret Portrait is a terrific tale that mixes Scottish lore and legend with murder, madness and the paranormal. The author's characters are richly drawn and authentic. Jean’s natural curiosity from academic research makes her the perfect amateur sleuth. The pacing is perfect for an entertaining read. The dialog is sharp and witty. Roberta Austin, Murder and Mayhem Book ClubAs always, Lillian Stewart Carl crafts an exceptionally well-written and tightly plotted tale. And as always, her characters draw you into her stories until you find yourself standing in Jean's shoes on the staircase of Glendessary House while ghostly footsteps clump closer and closer. Engaging, absorbing, rousingly good and finally -- highly recommended. I very much look forward to more adventures with Jean and Alasdair. Teri Smith, Crescent Blues Book Review

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