Art Piece

The versatile stick design of the Cuisinart Smart stick Hand Blender lets users blend ingredients right in pots, pitchers, bowls, or clear plastic beaker that's included. A powerful 200-watt motor operates with an easy one-touch control. Blends drinks, purees soup, mixes pancake and crepe batters in seconds! Both stainless steel blending shaft and beaker are dishwasher-safe.

Silicone Baking Accessories. Silicone is the Wonder Kitchen Tool: it can be used in the oven (up to 500F/260C), toaster over, microwave, refrigerator and freezer and it is virtually unbreakable. These silicone utensils are the perfect tool cold foods: Jell-O, ice sculptures, Candies and hot foods: cake, muffins, bread, pies, main and side dishes and so much more! The flexibility makes removing foods much easier than your typical metal pans! Dishwasher safe. Stain and odor resistant. This package contains three of the most popular shapes and sizes for spatulas: rectangle spoon, standard scraper and mini scraper, each has a transparent blue tinted crystal like handle Color: Blue.

This introduction to the Man in Black's catalog is about as fine a one as can be found on one disc, primarily because the 21 classic tracks span J.R. Cash's entire career, from his first rockabilly single, "Hey, Porter"/"Cry! Cry! Cry!" (Sun Records, 1955), to his last significant alt-country tracks (American Recordings, 2003). Though Cash had his peaks and valleys in the studio, what shines brightly on this collection is how constant--how unwavering--his creativity remained, whether he was writing and performing original material or interpreting the work of others. His voice, too, remained a majestic thing of wonder, even as Cash often sang off-beat; settled his bass-baritone somewhere around, if not on the note; and cared more about power and emotion than strict rules of measure--something that became especially important as illness changed his great oaken voice into a frail instrument. In this way, he was able to infuse novelty songs ("One Piece at a Time," "A Boy Named Sue") with undeniable cool and maintain the poetry of Kris Kristofferson's "Sunday Morning Coming Down" even in the awful advent of a gloppy, too-peppy string section. Other chestnuts here take on new dimension in retrospect. "Jackson," a duet with wife June Carter Cash, seemed almost comedic ("hotter than a pepper sprout") when it was released, but now reveals the couple's own white-hot sexuality, primarily in June's elegant, if straightahead vocal. The surprise of The Legend of Johnny Cash is how seamlessly the newer material blends with the seminal, and how full-circle it sometimes comes: Soundgarden's "Rusty Cage" doesn't seem markedly different from the quietly defiant songs that Cash defined himself with in the '50s and early '60s. Yet the compilation producers, like Cash himself, saved the best for last. "Hurt," Trent Reznor's poignant meditation on addiction, is devastating as written, but becomes a thing of terrible beauty in the ailing Cash's ravaged, autobiographical delivery. Sequenced as the final cut on the album, it ends with a kind of shocking void; stunning in its intensity, dropping the listener off a cliff of something very akin to grief. No artist, no matter what genre, could have planned a more haunting exit. --Alanna Nash

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The greatest names in jazz and swing perform their most influential and unforgettable hits.

Hong Kong wuxia films, or martial arts fantasies, traditionally squeeze poor acting, slapstick humor, and silly story lines between elaborate fight scenes in which characters can literally fly. Crouching Tiger, Hidden Dragon has no shortage of breathtaking battles, but it also has the dramatic soul of a Greek tragedy and the sweep of an epic romance. This is the work of director Ang Lee, who fell in love with movies while watching wuxia films as a youngster and made Crouching Tiger as a tribute to the form. To elevate the genre above its B-movie roots and broaden its appeal, Lee did two important things. First, he assembled an all-star lineup of talent, joining the famous Asian actors Chow Yun-fat and Michelle Yeoh with the striking, charismatic newcomer Zhang Ziyi. Behind the scenes, Lee called upon cinematographer Peter Pau (The Killer, The Bride with White Hair) and legendary fight choreographer Yuen Wo-ping, best known outside Asia for his work on The Matrix. Second, in adapting the story from a Chinese pulp-fiction novel written by Wang Du Lu, Lee focused not on the pursuit of a legendary sword known as "The Green Destiny," but instead on the struggles of his female leads against social obligation. In his hands, the requisite fight scenes become another means of expressing the individual spirits of his characters and their conflicts with society and each other. The filming required an immense effort from all involved. Chow and Yeoh had to learn to speak Mandarin, which Lee insisted on using instead of Cantonese to achieve a more classic, lyrical feel. The astonishing battles between Jen (Zhang) and Yu Shu Lien (Yeoh) on the rooftops and Jen and Li Mu Bai (Chow) atop the branches of bamboo trees required weeks of excruciating wire and harness work (which in turn required meticulous "digital wire removal"). But the result is a seamless blend of action, romance, and social commentary in a populist film that, like its young star Zhang, soars with balletic grace and dignity. --Eugene Wei

CROUCHING TIGER HIDDEN DRAGON - Blu-Ray Movie

WALT DISNEY'S MASTERPIECE

Along with Fantasia and Fantasia 2000, the anthology set contains a third disc that examines a segment of both movies in detail. Each segment has an introduction that has experts (including Leonard Maltin), producer Roy E. Disney, or the animators setting up the piece's history. Notes on the music and dozens of design photos are included on all the segments, although others offer more intriguing features. Abandoned animation is shown on many segments, as are a few behind-the-scenes shorts; the most intriguing are experts from Walt Disney's hosted documentaries on how his company made movies. As for the photos, they are awkwardly catalogued and only the most patient of viewers would want to look at all of them. In some segments, though, these images are entertainingly produced as a "story reel," presenting these images--rough animation, sketches, pastel paintings--with the musical accompaniment. For those looking for a more well-rounded view of the films, the two one-hour documentaries on each film's disc lay the groundwork, but none of the anthology looks at how the first film was seen through the years or gives time to anyone who wasn't gung-ho about every element of the films. There is hardly a mention of embarrassing stereotypes that were matted (and still are) out of the "Pastoral" segment, or the intriguing aspect of the film as a '60s icon for the ultimate head-trip. Disney does let their guard down to show sequences that were being readied in 1940 for future editions (including a recently restored short scored to "Clair de Lune"). Most tantalizing is a look at how the special effects were done in the original film. The guide is a scrapbook that one of the technicians kept and was discovered only in 1990. Fans can only hope a reproduction will be made available someday. --Doug Thomas

This smart, funny episode finds the Enterprise visiting the planet Iotia, where the starship Horizon accidentally left behind Earth materials a century before. During that time, as Captain Kirk (William Shatner) discovers, the Iotians have made much of one of those items, a book called Chicago Mobs of the Twenties. The planet's population has divided into rival gangs who dress, speak, and do violence like the spiritual descendants of Al Capone, plunging Kirk, Spock (Leonard Nimoy), and McCoy (DeForest Kelley) into a facsimile of Earth's colorful and dangerous past. The episode is played for comedy: Kirk and Spock keep getting kidnapped by the warring hoods, each of whom wants the Federation team to use their technology to defeat the other side. The big payoff, however, is a summit meeting of bosses, where Kirk employs plenty of gangster-movie jargon to get matters settled. --Tom Keogh

For sale are the 3 full tang Ninja Kunai throwing knives, like those seen in Naruto. Made of 440 stainless steel, the handle and blade are of one piece. The blade is slightly sharpened, and with 4", the item is made to puncture. The handle is wrapped nylon. Included is the nylon sheath, which holds 3 ninja kunais. This is a favorite of ninja fans.

Professional Quality, 1/8 in. Shank, 180 Grit. Includes 20 assorted shapes covered with diamond particles. All bits have 1/8 in. shanks and come in convienient plastic holder. Excellent for fine detail work, cutting, engraving, carving, touch-up and finishing. Use on wood, jade, ceramic, glass, hardened steel, semi-precious stones and other hard materials.

Some uses for these instruments are: amateur and professional taxidermy; cleaning archaeological artifacts; uncovering and cleaning fossils and shells; woodworking and furniture refinishing; ceramics, mosaics and pottery work; wood and clay carving; soap and candle carving; computer and mechanical work; doll-making and repair; and much more!

QI GONG FOR BEGINNERS/ is the perfect way to explore and experience the numerous benefits of Qi Gong. Used for thousands of years in China to build energy, improve & maintain health and cultivate peace of mind, these easy to learn practices are designed to enhance you vitality and well being. This DVD contains 8 customized routines to increase your physical and mental energy, reduce stress, improve balance and help with flexibility. DVD HIGHLIGHTS: - 8 customized routines to learn the Eight Pieces of Brocade Qi Gong - Easy to follow, step-by-step instructions - Exclusive Interview with the instructor - Modifications of poses for less-flexible people - Routines from 5 - 45 minutes From the creators at bodywisdom media comes a new expert line of DVDs! Excite, inspire and encourage your journey of healthy and balanced living. Qi Gong and Tai Chi master Chris Pei leads tailored workouts ranging from 5 to 45 minutes. This safe and effective program is suitable for every body, all ages and schedules.