Art Old

Product Features: Toast, Bagel, Bake and Broil functions 1800 watts Full size interior holds and 11 pizza and 4-slices of toast Stainless Steel front with rubberized easy grip dials and cool touch handle Always Even Shade Control monitors the temperature and adjusts the timing to consistently toast to the shade selected every time! Convenient auto slide-out rack for hands-free loading and easy removal of cooked foods Automatic shutoff safety feature Easy-clean nonstick interior Front removable crumb tray Includes: broiling rack, baking/drip pan, wire rack and instruction/recipe booklet Limited 3 year warranty  

Professional power and versatility are at your fingertips, thanks to the experts at Cuisinart. The handy Pro Classic Food Processor slices whole fruits and vegetables, kneads bread dough and minces garlic with amazing ease. The 7-cup work bowl is heat-resistant, cold-resistant and shatterproof. Features regular and extra-large feed tubes, stainless steel medium (4 mm) slicing disc and shredding disc. Also includes chopping and dough blades. Exclusive how-to video offers tips and techniques. Easy to clean, with dishwasher-safe parts.

A perfect gift for new homemakers, the food processor has become an integral part of modern cooking, speeding up a multitude of processes, including kneading dough, slicing, chopping, shredding cheese, vegetables and meat, mincing garlic and parsley, mixing batters, and emulsifying mayonnaise. Cuisinart's Pro Classic comes with a 7-cup work bowl, four basic attachments for slicing, shredding, chopping, mixing, and kneading, and large feed tube. This processor comes with a compact cover for use when the feed tube isn't needed and a pulse control that allows the desired degree of fineness when chopping and puréeing. Remove the detachable stem for compact storage of discs. All the parts are dishwasher-safe and the motor base wipes clean. In addition, a custom-contoured spatula, a 50-page recipe booklet, and a 30-minute video designed to familiarize the new owner with the care and use of the food processor are included. --Victoria Jenkins

The Griddler Panini & Sandwich Maker is a smaller version of the classic Cuisinart Griddler. The GR 1 Griddler is more compact and features a smaller grilling surface than the larger Griddler, making it great for storage on or under the counter. Preset Features: Panini press and sandwich maker in brushed stainless-steel housing Upper and lower 11-by-7-inch nonstick, non-removable grill plates Floating hinge adjusts to accommodate any size sandwich; preset temperature Helpful indicator lights; instructions, recipes, and cleaning tool included Specifications: Product Dimensions: 13 x 5 x 10.5 inchesWeight: 7 pounds

 With a gentle squeeze, this cuddly friend glows and plays soft music, lullabies and soothing sounds of the ocean. After five minutes the music fades, lights dim, and baby can drift off to dreamland … Recommended Ages: 0 Months & up

BEASTIE BOYS LICENSED TO ILL

The joke of Licensed to Ill's cover--that the Beasties could crash their jet into the side of a mountain and keep on tickin'--serves as a good metaphor for a career that even some of their 1986 admirers thought might be over after the one-time-only shock of this full-length debut. That thousands of funk-junkie wannabes have since failed at re-creating its groove, breaking-the-law vibe, and ear-splitting mix of rock and rap is an even better joke. And funniest of all is the record itself, which packs dexterous boasts, aural puns, and lots and lots of yelling into a disc that can still be listened to with as much pleasure as it gave in '86. --Rickey Wright

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With the famed puppet troupe's heyday behind them, it's up to young Muppet Walter, his human brother Gary (Jason Segel, who also co-wrote), and Gary's girlfriend Mary (Amy Adams) to bring Kermit the Frog, Miss Piggy, Fozzie Bear, and the rest of the gang back together in order to put on a show and save the Muppet Theater from a greedy oil baron (Chris Cooper). Rashida Jones also stars in this fun-filled blend of music and laughs. Includes the tunes "Life's a Happy Song," "Man or Muppet," and more. 103 min. Widescreen; Soundtracks: English Dolby Digital 5.1, Dolby Digital stereo, French, Spanish; Subtitles: English (SDH), French, Spanish; audio commentary; featurettes; deleted scenes; bloopers; soundtrack download card; more. Also includes a DVD version of the film. Three-disc set.

Movies attempting to retrieve cherished nuggets of pop culture often stumble, either by appealing solely to the die-hard minutia enthusiasts or clunking up the batter with unnecessary additions to the base material. (Enough with the human love triangles, get to the giant robots fighting.) Thankfully, this revival of Jim Henson's beloved characters gets the formula delightfully right, providing a googly-eyed nostalgia trip for adults while also retaining the original's sense of bright (and mildly subversive) wonder. All that's missing is a cameo from Shields and Yarnell, really. Kicking off with a boffo musical number, the story follows Walter (voice of Peter Linz), a small-town boy with a uniquely personal affection for the long-retired Muppets. (OK, he's made of felt.) Teaming up with his brother (Jason Segel, who also co-scripted) and the local schoolteacher (Amy Adams), they attempt to get Kermit, Fozzie, and the gang back together in order to save their studio from an evil oil baron (Chris Cooper, going all in). Director James Bobin (Flight of the Conchords) does a marvelous job of updating and honoring his material, weaving sly references to days gone by (the contents of Kermit's rolodex are a particular delight) into the mix of songs, celebrity cameos, and barn-broad puns that gave the original show its bubbly kick. (Fans of Animal and the Chickens will not go home disappointed.) Even the moments that don't quite work land with a cornball brio that feels wholly of a piece with Henson's universe. The result is a true family movie that still brings on the blissful, uncomplicated grins days after viewing. No matter what Statler and/or Waldorf might say, the show goes on. --Andrew Wright Related Products Amazon's Disney Store Amazon's Muppets Store More Muppets in Movies & TV Versions of The Muppets on Blu-ray and DVD The Muppets The Muppets (Single-Disc DVD + Soundtrack Download Card) The Muppets (Two-Disc Blu-ray/DVD Combo) The Muppets (Three-Disc Combo: Blu-ray/DVD/Digital Copy + Soundtrack Download Card) Release Date March 20, 2012 March 20, 2012 March 20, 2012 March 20, 2012 Format/Disc # DVD DVD + Soundtrack Download Card Blu-ray, DVD Blu-ray, DVD, Digital Copy + Soundtrack Download Card Blu-ray No No Yes Yes DVD Yes Yes Yes Yes Digital Copy No No No Yes Bonus Features None DVD Feature Film+ BonusDigital Full-Length Original SoundtrackThe Longest Blooper Reel Ever Made (In Muppet History**) Blu-ray Feature Film + BonusDVD Feature Film+ BonusScratching the Surface: A Hasty Examination of The Making of The MuppetsA Little Screen Test on the Way to the Read ThroughExplaining Evil: The Full Tex Richman Song Deleted ScenesAudio CommentaryDisney IntermissionThe Longest Blooper Reel Ever Made (In Muppet History**) Same as The Muppets (Two-Disc Blu-ray/DVD Combo) plus:Digital CopyDigital Full-Length Original Soundtrack

Star Trek I : The Original Motion PictureBack when the first Star Trek feature was released in December 1979, the Trek franchise was still relatively modest, consisting of the original TV series, an animated cartoon series from 1973-74, and a burgeoning fan network around the world. Series creator Gene Roddenberry had conceived a second TV series, but after the success of Star Wars the project was upgraded into this lavish feature film, which reunited the original series cast aboard a beautifully redesigned starship U.S.S. Enterprise. Under the direction of Robert Wise (best known for West Side Story), the film proved to be a mixed blessing for Trek fans, who heatedly debated its merits; but it was, of course, a phenomenal hit. Capt. Kirk (William Shatner) leads his crew into the vast structures surrounding V'Ger, an all-powerful being that is cutting a destructive course through Starfleet space. With his new First Officer (Stephen Collins), the bald and beautiful Lieutenant Ilia (played by the late Persis Khambatta) and his returning veteran crew, Kirk must decipher the secret of V'Ger's true purpose and restore the safety of the galaxy. The story is rather overblown and derivative of plots from the original series, and avid Trekkies greeted the film's bland costumes with derisive laughter. But as a feast for the eyes, this is an adventure worthy of big-screen trekkin'. Douglas Trumbull's visual effects are astonishing, and Jerry Goldmith's score is regarded as one of the prolific composer's very best (with its main theme later used for Star Trek: The Next Generation). And, fortunately for Star Trek fans, the expanded 143-minute version (originally shown for the film's network TV premiere) is generally considered an improvement over the original theatrical release. --Jeff ShannonStar Trek II :The Wrath of KhanAlthough Star Trek: The Motion Picture had been a box-office hit, it was by no means a unanimous success with Star Trek fans, who responded much more favorably to the "classic Trek" scenario of Star Trek II: The Wrath of Khan. Inspired by the "Space Seed" episode of the original TV series, the film reunites newly promoted Admiral Kirk with his nemesis from the earlier episode--the genetically superior Khan (Ricardo Montalban)--who is now seeking revenge upon Kirk for having been imprisoned on a desolated planet. Their battle ensues over control of the Genesis device, a top-secret Starfleet project enabling entire planets to be transformed into life-supporting worlds, pioneered by the mother (Bibi Besch) of Kirk's estranged and now-adult son. While Mr. Spock mentors the young Vulcan Lt. Saavik (then-newcomer Kirstie Alley), Kirk must battle Khan to the bitter end, through a climactic starship chase and an unexpected crisis that will cost the life of Kirk's closest friend. This was the kind of character-based Trek that fans were waiting for, boosted by spectacular special effects, a great villain (thanks to Montalban's splendidly melodramatic performance), and a deft combination of humor, excitement, and wondrous imagination. Director Nicholas Meyer (who would play a substantial role in the success of future Trek features) handles the film as a combination of Moby Dick, Shakespearean tragedy, World War II submarine thriller, and dazzling science fiction, setting the successful tone for the Trek films that followed. --Jeff ShannonStar Trek III : The Search for Spock You didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness." So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease on life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek franchise...as if he were ever really gone. With Kirk's willful destruction of the U.S.S. Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt. Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV. --Jeff ShannonStar Trek IV : The Voyage Home Jumping on to the end-of-the-century bandwagon a little early, Paramount Pictures released 10 of their top films in one 10-pack, the Millennium Collection, in 1998. All the films are presented in their widescreen editions; one, Breakfast at Tiffany's, is offered in this format for the first time. The set includes 5 Best Picture Oscar winners and films that took home an additional 33 Academy Awards. All the tapes are available to buy individually. The pack, with a handsome mosaic of faces from the movies, also features collector gift cards (a movie version of baseball cards) and a commemorative booklet detailing the productions of all 10 films. The collection is oddly weighted toward the last 25 years, offering only one film from the 1950s and one from the 1960s. Your taste in current cinema will define the value of the set. Besides Tiffany's, one of Audrey Hepburn's finest films, the collection contains: The Ten Commandments with Charlton Heston, Grease with John Travolta, Francis Ford Coppola's Apocalypse Now and The Godfather, the funny, whale-saving Star Trek IV--The Voyage Home, Tom Cruise's hit Top Gun, the smash hit Ghost with Demi Moore, Mel Gibson's Celt fest Braveheart, and Forrest Gump with Tom Hanks. --Doug ThomasStar Trek V :The Final FrontierMovie critic Roger Ebert summed it up very succinctly: "Of all of the Star Trek movies, this is the worst." Subsequent films in the popular series have done nothing to disprove this opinion; we can be grateful that they've all been significantly better since this film was released in 1989. After Leonard Nimoy scored hits with Star Trek III and IV, William Shatner used his contractual clout (and bruised ego) to assume directorial duties on this mission, in which a rebellious Vulcan (Laurence Luckinbill) kidnaps Federation officials in his overzealous quest for the supreme source of creation. That's right, you heard it correctly: Star Trek V is about a crazy Vulcan's search for God. By the time Kirk, Spock, and their Federation cohorts are taken to the Great Barrier of the galaxy, this journey to "the final future" has gone from an embarrassing prologue to an absurd conclusion, with a lot of creaky plotting in between. Of course, die-hard Trekkies will still allow this movie into their video collections; but they'll only watch it when nobody else is looking. After this humbling experience, Shatner wisely relinquished the director's chair to Star Trek II's Nicholas Meyer. --Jeff ShannonStar Trek VI : The Undiscovered CountryStar Trek V left us nowhere to go but up, and with the return of Star Trek II director Nicholas Meyer, Star Trek VI restored the movie series to its classic blend of space opera, intelligent plotting, and engaging interaction of stalwart heroes and menacing villains. Borrowing its subtitle (and several lines of dialogue) from Shakespeare, the movie finds Admiral Kirk (William Shatner) and his fellow Enterprise crew members on a diplomatic mission to negotiate peace with the revered Klingon Chancellor Gorkon (David Warner). When the high-ranking Klingon and several officers are ruthlessly murdered, blame is placed on Kirk, whose subsequent investigation uncovers an assassination plot masterminded by the nefarious Klingon General Chang (Christopher Plummer) in an effort to disrupt a historic peace summit. As this political plot unfolds, Star Trek VI takes on a sharp-edged tone, with Kirk and Spock confronting their opposing views of diplomacy, and testing their bonds of loyalty when a Vulcan officer is revealed to be a traitor. With a dramatic depth befitting what was to be the final movie mission of the original Star Trek crew, this film took the veteran cast out in respectably high style. With the torch being passed to the crew of Star Trek: The Next Generation, only Kirk, Scotty, and Chekov would return, however briefly, in Star Trek: Generations. --Jeff Shannon

Seven-disc set includes "Star Trek: The Motion Picture," "Star Trek II: The Wrath of Khan," "Star Trek III: The Search for Spock," "Star Trek IV: The Voyage Home," "Star Trek V: The Final Frontier," "Star Trek VI: The Undiscovered Country," and a disc full of extras.

Tinker, Tailor, Soldier, Spy is all sleek, stealthy elegance. High-ranking intelligence officer George Smiley (Gary Oldman) was forced out of service when a mission in Hungary went very wrong, but rumors of a Soviet mole hidden within the agency bring him back into play. If the theory of the former head, Control (John Hurt), is to be believed, the mole is at the very top, one of four senior officers, played by Toby Jones, Ciarán Hinds, Colin Firth, and David Dencik (of the Swedish Girl with the Dragon Tattoo). With the help of a lower-ranking agent with a few secrets of his own (Benedict Cumberbatch, Sherlock) and a field agent who may be a source of disinformation (Tom Hardy, Inception), Smiley slowly draws out the clues he needs to lay a trap for the mole. Tinker, Tailor, Soldier, Spy moves gracefully, with brief but unhurried scenes that give a hint of information here, a dollop of implication there, until the larger picture (painted in a cinematic chiaroscuro of grays, blues, and browns) comes tantalizingly into focus. Don't expect Hitchcock-like suspense, though there are a few anxious sequences; this movie captures the blend of dread and bureaucracy that marks real-life intelligence work. Oldman plays Smiley as uncannily opaque and, on the surface, harmless--but his eyes hold a deep bitterness that can turn sorrowful or cruel. The masterful cast glides through the film, their subterfuges and machinations orchestrated like a dance by director Tomas Alfredson (Let the Right One In). --Bret Fetzer

Gary Oldman stars as former British secret agent George Smiley in this stylish adaptation of the novel by John Le Carre. In the early '70s, Smiley is called out of retirement and tasked with flushing out a Soviet mole believed to be serving in a high-ranking office of British Intelligence. Smiley's search is narrowed to four senior men, but which one is the double agent? Colin Firth, Tom Hardy, Mark Strong, Ciaran Hinds, Benedict Cumberbatch also star. 128 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), French, Spanish; deleted scenes; featurette; audio commentary.

Ulysses Everett McGill (George Clooney) escapes the chain gang with two fellow convicts the simple and somewhat slow Delmar (Tim Blake Nelson) and ill-tempered Pete (John Turturro) to pursue the promise of hidden loot stashed in his house that is about to be swept away in a flood. On the way the trio experience a journey filled with hilarious adventure and cast of strange characters starting with a blind prophet who warns them that "the treasure you seek shall not be the treasure you find."System Requirements:Starring: George Clooney John Turturro Michael Badalucco Charles Durning John Goodman Holly Hunter and Tim Blake Nelson. Directed By: Joel Coen. Running Time: 103 Min. Color. This film is presented in "Standard" format. Copyright 2000 Buena Vista Home Video.Format: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 786936144758 Manufacturer No: 02165400

Only Joel and Ethan Coen, the fraternal director and producer team behind art-house hits such as The Big Lebowski and Fargo and masters of quirky and ultra-stylish genre subversion, would dare nick the plot line of Homer's Odyssey for a comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing about hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) into lighting out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly, one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field dialogue, and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges's classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American '30s folk styles--blues, gospel, bluegrass, jazz, and more. And just to prove that the brothers haven't lost their knack for bad-taste humor, we get a Ku Klux Klan rally choreographed like a cross between a Nuremberg rally and a Busby Berkeley musical. --Philip Kemp

From Hayao Miyazaki, the creator of "Kiki's Delivery Service," comes this magical animated adventure about 10-year-old Chihiro, who, along with her parents, is trapped by a witch in a mystical spirit realm. Chihiro struggles to break the spell that's turned her folks into pigs and find the way home. Lauren Holly, Michael Chiklis, Suzanne Pleshette, Jason Marsden, Daveigh Chase provide voices. 125 min. Widescreen (Enhanced); Soundtracks: Japanese Dolby Digital 5.1, English Dolby Digital 5.1, French Dolby Digital 5.1; Subtitles: English; art gallery; theatrical trailers; storyboard comparison; featurettes; more. In Japanese with English subtitles/Dubbed in English.

The highest grossing film in Japanese box-office history (more than $234 million), Hayao Miyazaki's Spirited Away (Sen To Chihiro Kamikakushi) is a dazzling film that reasserts the power of drawn animation to create fantasy worlds. Like Dorothy in The Wizard of Oz and Lewis Carroll's Alice, Chihiro (voice by Daveigh Chase--Lilo in Disney's Lilo & Stitch) plunges into an alternate reality. On the way to their new home, the petulant adolescent and her parents find what they think is a deserted amusement park. Her parents stuff themselves until they turn into pigs, and Chihiro discovers they're trapped in a resort for traditional Japanese gods and spirits. An oddly familiar boy named Haku (Jason Marsden) instructs Chihiro to request a job from Yubaba (Suzanne Pleshette), the greedy witch who rules the spa. As she works, Chihiro's untapped qualities keep her from being corrupted by the greed that pervades Yubaba's mini-empire. In a series of fantastic adventures, she purges a river god suffering from human pollution, rescues the mysterious No-Face, and befriends Yubaba's kindly twin, Zeniba (Pleshette again). The resolve, bravery, and love Chihiro discovers within herself enable her to aid Haku and save her parents. The result is a moving and magical journey, told with consummate skill by one of the masters of contemporary animation. MPAA Rated: PG ("Some scary moments") --Charles Solomon